As my classroom begins to roll over into full workshop for the rest of the year, I know that many of my students will be attempting poetry, many for the first time. It's important as teachers that we have authentic discussions with students surrounding our expectations. Middle
school students generally come into poetry with similar misconceptions or
issues. Here is a list of the most
common:
- -Poetry has “No Rules”
- -Poetry must rhyme
- -Poetry must be short
- -Poems must be on a serious topic
- -Poetry should be difficult to understand
or vague
- -Poetry only needs to make sense to the
writer
None
of these things are true, and helping writers through these assumptions is key
to getting them to write poetry well.
There are a few general ways you can attack these conceptions, and
create a more meaningful and authentic experience for children.
1.
Poetry is not Anarchy:
As with any other piece of prose, poetry must be created with intent
behind it. This intent can be
shown through many different ways, but unless the student is writing poetry
that purposefully assaults the conventions of Standard English, poetry should
be grammatically and conventionally sound. This is the most common mistake kids make when starting
middle school poetics. To address
this, have he students redraft their work in paragraph form, or ask them to
compose in this manner. This
will allow them to make sure that the poem follows standard conventions without
confusing them in terms of line breaks.
2.
Poetry is written for Performance:
Poetry has historically been a spoken art form. As such, the use of commas and periods
in the poem must be used with intent, directing the reader as to how the poem
should sound when read aloud. This
is also an opportunity to teach mini-lessons around the use of Alliteration,
Assonance, Metrics, and Rhyme (although these are higher level concepts).
3.
Poetry is not from Concentrate:
A poem is as long as it “needs” to be. In some cases, this is predetermined, as in Sonnets or
Villanelles. Other poems have
their length determined by subject alone.
In either situation, the economy and functionality of words is
paramount. There should not be any
words or phrases that amount to excess baggage, and students should be able to
justify why things are included on the page.
4.
Poetry is not all Dirges:
Neruda wrote about fruit and salt, Whitman and Ginsberg wrote about
their bodies, and Bukowski wrote about his own depravity. There are no “set” topics for poetry,
the desire to write alone is the key, the need to capture, to “Name the World.” If the student wants to create a Haiku,
make sure they research the form, understand the subtleties it provides, and
not focus on the fact that it is only 3 lines. Choosing a topic is important,
but not limited to what we would typically define as “momentous” or life
altering events. A good poem adds
grace to the mundane, meaning to normalcy.
This post is as yet unfinished, what would you add to it? What issues do you see when students attempt poetry?
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